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Settler Attachments and Asian Diasporic Film: Settler Attachments and Asian Diasporic Film

Settler Attachments and Asian Diasporic Film
Settler Attachments and Asian Diasporic Film
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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Introduction: Decolonizing Settler Worlds
  7. 1. Melancholic Attachments: Asian Diasporic Cowboys
  8. 2. Brown Queer and Trans Bodies at theImpasse of Diaspora and Indigeneity
  9. 3. Friendship, Refusal, and AlternateArchives of Diaspora
  10. 4. Experiments in Relation: Queer Indigenous andAsian Diasporic Survivance in the Settler-Capitalist City
  11. Coda: Interrupting the Settler-Colonial Sensorium
  12. Acknowledgments
  13. Notes
  14. Index
  15. Author Biography

Settler Attachments and Asian Diasporic Film

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This book is freely available in an open access edition thanks to the generous support of the University of California Davis Library.

Portions of chapter 3 were published in a different form in “Refusal/Film: Diasporic-Indigenous Relationalities,” Settler Colonial Studies 10, no. 1 (2020): 110–25; copyright 2020 Informa UK Limited, trading as Taylor & Francis Group; available at https://www.tandfonline.com/.

Excerpt from Kaushalya Bannerji, “Oka Nada,” A New Remembrance: Poems (Toronto: TSAR, 1993), 20, reprinted by permission of the poet. Excerpts from Vivek Shraya, “amiskwacîwâskahikan” and “indian,” from even this page is white (Vancouver: Arsenal Pulp Press, 2016), reprinted by permission. Excerpt from Rajinderpal S. Pal, “Collective Amnesia,” Rungh Magazine 4, no. 1–2 (1998): 25; reprinted by permission of the poet.

Copyright 2025 by Beenash Jafri

Settler Attachments and Asian Diasporic Film is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/by-nc-nd/4.0/.
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